Max Rashbrooke - Latest News [Page 1]

Positive Responses

Monday, 27 May 2019, 5:02 pm | Max Rashbrooke

I was delighted with the one Shed Series concert – gig? – I attended last year: it brought a different kind of energy, and, crucially, audience. Accordingly I had high hopes this time round. More >>

A performance for all time

Monday, 27 May 2019, 5:01 pm | Max Rashbrooke

This concert provided a platform for two striking European talents, Danish conductor Thomas Sondegard and Russian pianist Denis Kozhukhin. The Dane was first out of the blocks with a stirring rendition of Beethoven’s Coriolan Overture, in which the ... More >>

Surely tomorrow? - Waiting for Godot at Circa

Monday, 6 May 2019, 1:52 pm | Max Rashbrooke

Circa’s current production of Waiting for Godot is a fine, understated rendition of a contemporary classic. More >>

A splendid feast

Tuesday, 23 April 2019, 9:30 am | Max Rashbrooke

Most classical concerts are a little like the standard Anglo meal: a main course, accompanied by side dishes. This was more in the Italian vein, where one traditionally gets both a primo piatto and a secondo piatto, and both are of (roughly) equal importance. More >>

A Stellar Show: The Planets

Wednesday, 3 April 2019, 9:33 am | Max Rashbrooke

The Michael Fowler Centre (or the fowl house, as it is affectionately known) was almost completely packed for Saturday night’s concert, this time one with no obvious theme, in contrast to the loose set of Haydn associations that characterised the ... More >>

Expectations confounded - Classical Journey

Friday, 1 March 2019, 11:15 am | Max Rashbrooke

I’ll admit I wasn’t enormously excited by this programme, a set of mainstream pieces with nothing to shock audiences in the provinces where it has been touring for the last couple of weeks. (I use the term provinces in a positive sense, of course, ... More >>

Blockbusters both Beethoven and Handel

Friday, 21 December 2018, 2:11 pm | Max Rashbrooke

Beethoven 9 and Messiah New Zealand Symphony Orchestra Reviewer: Max Rashbrooke Friday, 23 November and Saturday, 8 December More >>

Madam Butterfly: A Review

Sunday, 18 November 2018, 2:53 pm | Max Rashbrooke

Eternity Opera is a still-new company rapidly gaining a reputation for smart, stripped-down productions. And their latest, an English-language version of Puccini’s classic Madame Butterfly, is no exception. More >>

Scoop Review: Mahler 7 - NZSO

Wednesday, 14 November 2018, 5:22 pm | Max Rashbrooke

Gustav Mahler’s Seventh Symphony may be one of the least well-known of its ilk, but Edo de Waart and the New Zealand Symphony Orchestra made a compelling case on Friday night for a reassessment. They showed us a work of immense variety, surprising ... More >>

Things that fall: La Boheme

Friday, 5 October 2018, 3:26 pm | Max Rashbrooke

When faced with a classic like La Boheme, it's always hard to keep it fresh and avoid the legacies of past performances. Director Jacqueline Coats has taken the approach of setting it in no defined period. This doesn't quite work, for me, because rather ... More >>

Classics and not-so-classics Stravinsky and Rachmaninov

Monday, 24 September 2018, 11:12 am | Max Rashbrooke

This last few weeks have brought two contrasting concerts from the NZSO. The first, Stravinsky and Rachmaninov, was at the more demanding end of the standard repertoire, featuring two relatively little-played works by Stravinsky: the Symphonies of Wind ... More >>

Review: The Firebird - NZSO National Youth Orchestra

Monday, 30 July 2018, 12:44 pm | Max Rashbrooke

The annual NZSO National Youth Orchestra concert is a regular treat: it’s astounding how good these young musicians are. This clever, well-structured performance with a distinct French-Spanish theme was carried out under the watchful eye of guest conductor ... More >>

Review: Simon Trpceski Plays Grieg

Monday, 30 July 2018, 12:39 pm | Max Rashbrooke

The star of this show was Macedonian pianist Simon Trpceski, sandwiched in between two pieces of Shostakovich. The first, the Festive Overture, was a cheerfully exuberant bit of work (though still touched with irony), and played with a lovely sense of ... More >>

The Four Seasons

Sunday, 20 May 2018, 5:08 pm | Max Rashbrooke

One of the things I’m enjoying about the NZSO’s programming this year is the non-obvious obvious choices. By this I mean the playing of pieces that are well worn to the point being cliched but which many people have not actually heard in concert. ... More >>

Ravishing Berlioz and Ravel

Friday, 27 April 2018, 5:15 pm | Max Rashbrooke

In this engaging, French-inflected performance, full of strengths, perhaps the standout was the mezzo soprano Sasha Cooke. Wellington has been visited by a few high profile singers recently, notably Anne Sofie von Otter, but few have impressed me as much ... More >>

Elusive Otters - Anne Sofie von Otter with the NZSO

Tuesday, 20 March 2018, 1:25 pm | Max Rashbrooke

Among the many qualities one looks for in an artist is generosity: a sense that giving, and giving fully, is important to them, is part of their artistic make up. More >>

Fit for a King - The King's Singers and Voices New Zealand

Wednesday, 14 March 2018, 4:54 pm | Max Rashbrooke

To be good at one thing is impressive; to be so versatile across a range of genres is truly exceptional. That was my conclusion from an evening listening to the world-renowned King's Singers, performing at the New Zealand Festival with the Voices New Zealand ... More >>

Max Rashbrooke on Bach remastered

Friday, 2 March 2018, 1:28 pm | Max Rashbrooke

New Zealand Festival: A New Zealand Partita Stephen De Pledge Tuesday 27 February Reviewer: Max Rashbrooke More >>

Immortal (and inaudible) Bach

Thursday, 8 February 2018, 4:38 pm | Max Rashbrooke

At the risk of stating the obvious, the reviewer's task is normally to comment on the quality of a performance, in this case the playing of music. So much is straightforward, if subjective. The task is made rather harder, though, when it is not actually clear ... More >>

A Muted NZSO 'Messiah'

Monday, 11 December 2017, 10:38 am | Max Rashbrooke

After last year’s stripped-down – and very good – Messiah , I was expecting something completely different: an all-guns-blazing performance led by an Australian conductor, Brett Weymark, well known for renditions that feature as many as 400 singers. ... More >>

 

 

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